Posts tagged player evaluation

Emerging NFL Talents: RB James Starks

What most people don't think about with James Starks is that he hadn't played football for nearly two seasons. Photo by tyle_r http://www.flickr.com/people/tyle_r

Although my takes on the players in the next series of posts might be useful to fantasy owners, these aren’t fantasy football articles. I’m not projecting stats. I’m writing about talented players whose portfolio of work reveals techniques and behaviors that I think translate well to the NFL game. At the end of the year, you might look at the stats and conclude that the quantity of the production wasn’t eye-catching for each of these emerging talents. However, I believe their work will be impressive enough for opposing teams, fans, and more astute fantasy owners to take future notice.

Let’s play a game.

Below are the career stats of every starting running back (not counting short-term subs) for the Green Bay Packers since former running back coach Edgar Bennett was himself a Packers running back.  Look at the stats of these four runners and see if you can find a broad pattern when it comes to the team’s organizational decision-making. Continue reading

Emerging NFL Talents: RB Ryan Mathews

Despite an injury-plagued rookie year, Ryan Mathews led the NFL in rushing touchdowns greater than five yards. Photo by Garrett Johnson.

Although my takes on the players in the next series of posts might be useful to fantasy owners, this isn’t a fantasy football article. I’m not projecting stats. I’m writing about talented players whose portfolio of work reveals techniques and behaviors that I think translate well to the NFL game. At the end of the year, you might look at the stats and conclude that the quantity of the production wasn’t eye-catching for each of these emerging talents. However, I believe their work will be impressive enough for opposing teams, fans, and more astute fantasy owners to take future notice.

Unlike Eric Decker and John Beck, Ryan Mathews’ 2011 breakout potential is a no-brainer. If not for a high ankle sprain in Week 2, Chargers head coach Norv Turner foresaw a 250-carry, 40-catch rookie year from the heralded Fresno State prospect. Last year, Mike Tolbert did a fine job splitting the load with Mathews as the lead back. But for those people who believe Tolbert will be a hindrance to Mathews’ production, consider the skills both runners bring to the team. Continue reading

Emerging NFL Talents: QB John Beck

Mike Shanahan thought John Beck was the best quarterback in a draft class that included JaMarcus Russell, Kevin Kolb, Brady Quinn, Troy Smith, and Trent Edwards. Hardly a great group in hindsight, but you could say the same about Tom Brady's class with one noted exception, Brady's fellow sixth-round classmate. Photo by simplistic.designs http://www.flickr.com/photos/simplistic-designs/

Although my takes on the players in the next series of posts might be useful to fantasy owners, this isn’t a fantasy football article. I’m not projecting stats. I’m writing about talented players whose portfolio of work reveals techniques and behaviors that I think translate well to the NFL game. At the end of the year, you might look at the stats and conclude that the quantity of the production wasn’t eye-catching for each of these emerging talents. However, I believe their work will be impressive enough for opposing teams, fans, and more astute fantasy owners to take future notice.

Prologue

Once upon a time there was a Division I college quarterback. He had the minimum physical dimensions for NFL consideration, but he wasn’t an athletic phenomenon. The school he played for was a major program, but it was not a known commodity for quarterbacks. The lack of these quality bullet points on this player’s resume contributed to a lower draft stock. A noted exception were those who study film closely. These tape grinders saw a quarterback with an exceptionally quick release, good accuracy, and solid decision-making. Some of these analysts, (specifically this one) rated this quarterback among the top 3-4 in this class.

It didn’t make much of a difference. The quarterback was a sixth-round pick for a team that needed a better passer. But as with most sixth-round picks, that quarterback was waived.  The team didn’t regarded him as a player to develop. While this is speculation on my part, said player likely didn’t receive enough reps to even make an impression. Six years later, the team that cut our hero made a trade for a signal caller who turned this franchise around – much in part to a new head coach who I think might have taken a greater interest in our hero if the timing were right. But reality dictated that for the next five years this team would falter in large part to inconsistent quarterbacking. Continue reading

Emerging NFL Talents: WR Eric Decker

Eric Decker's rookie total was the grand sum of 6-107-1, but he's an emerging talent to remember. Photo by Jeffrey Beall http://www.flickr.com/photos/denverjeffrey/5300408094/

Although my takes on the players in the next series of posts might be useful to fantasy owners, this isn’t a fantasy football article. I’m not projecting stats. I’m writing about talented players whose portfolio of work reveal techniques and behaviors that I think translate well to the NFL game. At the end of the year, you might look at the stat-lines and conclude that the quantity of the production wasn’t eye-catching for each of these emerging talents, but the quality of work they did was impressive enough for opposing teams, fans, and more astute fantasy owners to take notice.

WR Eric Decker, Denver Broncos

One of my favorite receivers from the 2010 draft class, Decker’s game is well-suited to the NFL because he consistently demonstrated skills at the University of Minnesota that are commonplace requirements for a successful NFL receiver. What you’re going to see repeatedly from Decker in this highlight package is the following:

  • Good initial set up of breaks
  • Defeating press with use of hands and shoulders
  • Winning real estate early in the route
  • Maintaining real estate later in the route
  • Receptions after contact
  • A “my ball mentality”
  • Functional strength
  • Functional speed

Most people during the 2010 NFL Draft were enamored with Decker’s classmate DeMaryius Thomas. Personally, I have always thought Decker was the better player. Continue reading

Execution

Tony Gonzalez has enjoyed a long and productive career because as his athleticism has declined he still executes strong technique. Photo by Chemisti http://www.flickr.com/photos/chemisti/457300762/

While researching YouTube highlights for my last blog post, I came across a series of short videos on fundamentals for wide receiver and tight end. One set of these videos features former Packers, Chiefs, and Vikings tight end Paul Coffman, who does a fantastic job of demonstrating fundamental techniques for blocking, releases, routes, and pass catching. The other set has current NFL pros demonstrating the same fundamentals.

The difference between the two is that Coffman’s videos feature middle school and high school students executing these techniques. This may seem boring in contrast to the NFL stars, but there’s something to be gained from watching both, which is the vast difference in execution.  This seems obvious, but it is vitally important when evaluating players. Coffman’s kids are still learning these techniques while the pros make everything look easy and effortless. 

But “simple” and “easy” aren’t synonymous without years of practice. This is something to remember every time you watch a college athlete or young NFL player. Those prospects who make fundamentals look easy closer to becoming refined pros than those who are simply athletes with raw positional skills.  Continue reading

Grinding Tape: Chad Spann – Stiff arms and Green Dogs

[youtube=http://youtu.be/j8QX4ylcekk]

NIU RB Chad Spann led the NCAA Divison I-A with 22 rushing touchdowns in 2010. That’s one more than LaMichael James and two more than Colin Kaepernick and Cam Newton.

Recently, I had the chance to watch tape with the 2010 MAC MVP. This week we discuss two plays where there are problems with the execution, but the end results are positive due to quick -thinking from Spann and the offense.

As Spann breaks down these plays we learn about the art of a good stiff arm, why balance has as much to do with a runner’s head as his feet, and the meaning behind the term, “green-dogging.”

2nd and 5  1:00 1st QTR

Waldman: This zone-read from a three-receiver set has some confusion between you and the QB with the exchange. Describe what’s difficult about this exchange.

Spann: Like I said before about zone-reads, if the backside defensive end we’re reading shuffles down the line of scrimmage, it means he’s playing me and not the quarterback. So the quarterback should pull it.

Zone-read 2nd and 5 1:04 1st QTR

Spann: On this particular play what I see is the backside tackle getting up to the second level and he’s almost in the way of the defensive end trying to get there. You can see the defensive end trying to push him because the tackle is in the way. This is also what our quarterback sees.

Blocking scheme for zone-read: Note backside tackle getting to second level and RDE working off him.

Spann: So he can’t really tell whether the guy is up the field or if he’s coming down the line of scrimmage. So the quarterback holds onto it a little too long in his read and he tries to pull it late.

Position of DE working off backside tackle (RT) creating confusion for QB & RB with the exchange.

Waldman: What are you thinking on this play?

Spann: I’m thinking the same way that he is – that I’m going to hit it right inside the backside tackle and guard because the tackle has beaten the guy inside. So that’s what I’m thinking as well, but the quarterback sees it too late and tries to pull the ball. But I already have my arms wrapped around it and I’m trying to make this cut. So by accident, and with a little bit of athleticism, he pulls me back outside.

Waldman: You know, I didn’t even notice that on this play. I just saw what appeared to be a miscommunication with who was going to take the ball. On first blush, it appears as if you’re trying to back up after you plant your feet, but you’re saying that he gives you a tug in the other direction?

Spann: He has his hands wrapped around the ball and I have my arms wrapped around his arms. So by him trying to pull his hands out or pull the ball out, he’s going to naturally try to tug on me, which is why my shoulders turn like that. And that gave me the ability to see the hole and the backside defensive end [who came down the line too far, which allowed me to] make this cut.

QB pulls RB just enough before exchange is complete to orient RB's path to defeat DE.

If [the quarterback] just gave it to me I would have kept going down that same path and I would have gotten hit by that defensive end. But since there was a little bit of a miscue, he was able to point me in the right direction. It gave me the ability to stop, start, and get a stiff arm on that defensive tackle and get six yards.

Spann and defender's paths after exchange.

Waldman: What I really like about your run is how you lower your shoulder into the oncoming defensive lineman who is cutting back towards you and then the stiff arm to knock the defender to the ground as you turn the corner at the line of scrimmage for what becomes a six-yard gain. The balance is really nice considering that you told me earlier that you got hurt on the play before…

Spann cuts inside LB in flat to turn corner for six yards.
Spann dragged down by WILL and MIKE LBs at end of six-yard gain.

Spann: Yep. On the first down play, which was a zone-read corner blitz, they jumped off sides. I got a hip pointer on that play [Author’s note: Spann was hit helmet-first onto his right side by the blitzing corner] but I stayed in after that. It really hurt, but I played the whole game. I sat out a little bit of this series because of it.

Waldman: That explains the broadcast crew showing you on the bike…As a spectator, you know something is wrong with a player when the team is blowing out the opposition and I still see him riding a bike to stay loose at the end of the game.

Spann:(Laughing) Oh yeah, the whole game…

Waldman:  Now back to this play, tell me more about that stiff arm. When you execute a stiff arm where are you trying to place it?

Spann: The facemask. Right in the face! It sounds cocky, but that’s where I aim for it. I’m not the biggest guy and I don’t have the longest arms, but like I mentioned in our Q&A about running between the tackles, is that you have to keep your pad level low and the most important thing is that you have to keep your head up because wherever your head is your body will follow. If I’m trying to run over somebody and my head’s down I might run through him but I’m going to go down, too.

Waldman: That explains a lot about balance and why it is a difference between big backs that don’t break tackles and smaller backs that do.

Spann: It’s the same thing in a situation with a stiff arm. If I can push your head back that means I’m going to push your arms up, too. And if I can push your arms up it means you’re not going to be able to get a grip on me.

So you’ll see when I get a guy right in his face then his hands will go straight up in the air and then I’ll try throw him to the ground because when the head comes back I try to throw him because they are going to go down regardless and I’m trying to get as far away from him as possible. So usually I’ll stiff-arm him all the way to the ground to make sure that they can never get a grip on me.

Spann: If you watch the defensive end you’ll see him jerk a little bit when I throw him down. That’s the whole point – I’m trying to snap his head back.

Waldman: So is there a difference between how a smaller back uses a stiff arm compared to a bigger back?

Spann: Bigger guys use stiff arms to keep a defender away from them. Their arms are long enough to hit them with a stiff arm and they can’t get a hold of him because they can’t make up the distance of the arm length.

[As a smaller back] I don’t have that luxury. So I have to invite them in so I can punch them in the face. It’s violent I know, but I have to do it almost as hard as I can so he’ll lose his body control for a second while I’m still running in the same direction. I have to throw them down because if I don’t they’ll be able to recover and still grab onto me as they are going down.

[Author’s note: Here are some classic examples of stiff arms]

[youtube=http://youtu.be/imAZrOkDDp4]

2nd and 9 5:49 2nd and QTR

Waldman: This is a touchdown pass where you are pass blocking from the backfield. Toledo runs a stunt where the LDE loops behind the NT towards the gap that you’re in and both LBs blitz.

The MLB takes off immediately up the middle but the LB on your side of the formation delays his just enough that you’re already looking at the stunting DE and miss the LB coming through the gap behind you. Nevertheless, the QB gets the throw off for a score.

Who was your first choice to block on this play and why?

Spann: I remember reading your question yesterday and then breaking this play down to one of my roommates. This is a “50” front. We have a noseguard and we have a guard uncovered and we have a stand up defensive end on our left side.

Four-receiver (3x1) set vs. 50 front (DE on viewer's right side is standing up).

Waldman: So what is the pass protection scheme for this front?

Spann: What we do [to block this play] is that we have a man side and a zone side. Wherever the A-Gap player is the quarterback is going to get to the line and he’s going to say something to point out that player’s direction.

If the A-gap player is to the right, the quarterback is going to say, “Rip, rip, rip, 88.” That’s our cadence. The “88” doesn’t mean much, but the “rip” means that the A-gap player is to the right and that is going to be our man side. If he were to the left, the quarterback would say, “Liz 88, liz 88.”

With this slide protection if it’s a “Rip Call,” the left side is going to be center, guard, and tackle while the right side is going to be guard, me (RB), and then tackle.

In this particular formation against this defensive front, which we call a “50,”  the quarterback is going to keep [the protection call in a way] so I don’t have to travel very far. It just makes sense to keep me here rather than go all the way to the backside to go get this standup defensive end.

Because he calls a rip, the left tackle is going to kick to the stand up defensive end. The left guard should kick to the five-technique. The center is going to take the nose, but he still us going to have to slide left. If that nose comes right, then it’s the guard.

LT, LG, C, and RG slide to left in this blocking scheme. Spann takes first LB blitzing through. RT takes DE (five-technique).

But because the nose is inside of the guard, the guard is going to step down with the center so at the snap of the ball you’re going to see four guys move to the left – the left tackle all the way to the right guard are all going to slide to the left.

If that nose guard stays to the left side of the center, the center is going to stay with him and the guard is going to come back and look for anything to the right. The right tackle is going to kick to the five-technique on the other side. My responsibility is whichever one of those linebackers blitz on my side. That’s me.

Waldman: So the front dictates the blocking scheme. How would a different front change your assignment?

Spann: If it were more of an even front, and say the middle linebacker was on my side and the WILL was still on that side, too, then it is whoever comes first is my guy. Or say they zone blitz off the edge, then whoever comes first is my guy and will have somebody else pick them up.

On this particular play they are running Cover-0 and they are blitzing the middle linebacker and they are stunting the defensive end.

This [stunt] isn’t picked up correctly, which is why your question was kind of confusing with what you saw.

[Author’s note: I saw a delayed blitz with one of the linebackers, but Spann corrects me in the explanation below]

That delayed linebacker blitz that you see, we wouldn’t look at it as a delayed blitz, but to the naked eye or someone not really paying attention…I mean someone who wouldn’t really know…

Waldman: That’s okay, don’t worry about it…(laughter)

Spann: (laughter) Sorry about that.

Waldman: it’s okay, I’m here to learn.

Spann: Okay. So No.32 (the OLB in the diagram) who “delay blitzed,” is actually in man coverage on me. He’s following me. So wherever I go, that’s where he’s going. And when he sees me step up to block. He does what we call “green dogging.”

Five-Technique next to standup DE stunts toward RG (on viewer's left); MLB blitzes to RG and Spann expects to pick this up. OLB in man coverage with Spann opts to Green Dog since Spann's blocking alleviates OLB of an assignment.

He sees that I’m blocking and since he has no other responsibility besides me, he comes and triggers for a blitz. That’s normally what delayed blitzes are. It’s where a defender sees an opportunity because his only responsibility isn’t a factor, so he just comes and puts pressure on the quarterback.

Waldman: So how does this Green Dog play out paired with the stunt?

Spann: [This is how] this stunt should be blocked from left to right:

  • The tackle should still kick out to that stand up guy.
  • The guard should kick out to the five-technique.
  • The center and guard block down like I said [before].
  • Whoever blitzes I got in that gap.
  • The tackle’s got that other five-technique.

When the left guard sees his guy cross his face on that stunt, he should turn his eyes and look back.

Waldman: But that doesn’t happen…

Spann: He was the youngest guy on our offensive line – a sophomore in his first year starting – so we had a little bit of inexperience. In fact, the only person who was a full-time starter [last year] was the left tackle. Everybody else was new – everybody else was a red-shirt junior on the line except for him; he’s a sophomore and he was a little bit inexperienced.

So when he saw his guy cross his face like that on the stunt he should immediately stop, turn, and help the center because the noseguard is coming back that way. Then the center should be able to pass that noesguard off to the guard as he picks up the looper [the stunting DE].

How pass protection should have been executed: LT kicks to stand up DE; LG sees DT stunting so he double teams NG withe the C; the C comes off double-team to block the stunting DT; the RG picks up blitzing LB; RB helps with blitzing RB or first LB through the hole; and RT picks up DE across from him.

Now the center never got off the nose to pick up the looper [stunting DE]. So the guard who was supposed to pick up the looper couldn’t because the blitz was in his face and he doesn’t know who is coming into his gap and he has to protect his gap…

Waldman: …It’s a domino effect in this sense with what happens with the left guard.

Spann: Yep. So the left guard doesn’t pick up and then the center can’t get off [the noseguard/A-Gap] to get the looper. Now the tackle sees the looper coming because he’s looking at the noseguard, but he’s looking through the noseguard to see the looper coming and he’s not seeing the linebacker blitzing, who should be his responsibility.

He ends up picking up the linebacker, but he looks at the looper for too long. And I’m looking at the looper because I should be helping out there because he’s unblocked. And when I reach in to help out there, my linebacker green dogs. So when he green dogs, and I finally see it, I turn and give him a shoulder and the ball is out [of the QB’s hands].

Waldman:There really are a lot of contingencies that an offensive player has to know in order to pass protect. It’s a nice play (a deep seam route from the slot for a 33-yard touchdown) considering what happened and you give your quarterback just enough time to get rid of the ball and make an accurate throw. Thanks for the explanation because I see the stunt, but I couldn’t tell whether that was a delayed blitz. Now that makes total sense. Thanks for taking the time to do this.

Spann: No problem.

Grinding Tape Part III – NIU RB Chad Spann

In Part I of the Grinding Tape Series, Mid American Conference MVP Chad Spann explained the concepts behind plays that require a running back to understand blocking schemes, defensive tendencies, and reading keys.

In Part II, he revealed how quickly a runner needs to be able to process information to choose a hole, ball security protocol, and the importance of minimizing surface area to become a strong, after-contact runner.

This week, Spann discusses the difference in a runner’s pre-snap location in very similar-looking shotgun sets with very different blocking schemes, and what a back is looking at to determine the path of his run.

1st and 10, 10:00 1st QTR

Waldman: You do a nice job bouncing this run outside. You take the play behind your fullback’s lead block and get the left corner for a six-yard gain. Take us through the design and execution of this running play.

Spann: This play is once again our inside zone. The fullback is lining up on the right side, but this is not the way we normally run it. Our fullback is normally going to line up either back side or he’s going to start on the front side and come back to the backside when the ball is snapped. Every time, he’s going to cut this defensive end, which is going to give me a start at a cut back if there is one.

Waldman: This time he motions from the slot to a split position over the tight right tackle and tight end.

Pre snap look of inside zone play.

Waldman: As with the running plays we’ve looked at earlier in the game,  is the A-gap/one-technique DL the primary key for the blocking scheme?

Spann: Yes. On this particular play we’re going to double team again like we always do against that A-Gap player, the one-technique. That A-gap player is going to be double-teamed by the center and guard. Whoever had leverage is going to take over the block by himself and whoever can get free is going to come up and get the MIKE linebacker (No.32). The front side tackle has the defensive end and the tight end is going to take the stand up linebacker, which is the SAM (labeled as the OLB below).

Post snap blocking on inside zone.

Waldman: On this play the one-technique gets occupied rather quickly by the center, which allows the right guard to get into the defensive backfield and get his hands on the MIKE LB (No.32). What is the strategy for the DL lined up over the left guard – the three-technique?

Spann: That  guard and tackle on the backside are going against the three-technique and they double team him to the WILL linebacker (No.42). If the three-technique tries to cross the face of the guard, the backside tackle is going to come up and get No.42 and the fullback is going to come back and cut the defensive end to give me a lane. That’s not how we plan for it to happen, but that’s a possibility.

Waldman: So what is the primary hole for you on this play?

Spann: It is a B-gap play, which means we want it to hit the front side B-gap. We want the center and guard to mash that A-gap player down and have the center take over the block and the guard get up to the MIKE linebacker. And that’s where the hole should be (over right guard). That’s not always where it goes, because one thing that can kill zone plays is penetration and that’s what Toledo is trying to do – get gap penetration – and they did.

Toledo gets good gap penetration over center and right guard, which forces cutback.

Spann:  Their penetration jams up my holes a little bit and forces me to make this cutback, which normally I’ll get in trouble for making this big of a cutback…

Waldman: But you do a nice job of it (laughter). . .

Spann: . . . Yeah, I make a play out of it. And you see me again with the ball in the “wrong” hand, but initially this was supposed to be a front side play and by the time I make my decision with where I’m going to go I already have the ball in my right hand.

Waldman: But as you mentioned (see Part II of this analysis) earlier, you don’t want to change ball hands in traffic. At this point you do a nice job of accelerating past the Will LB (No.42) to get the corner.

Spann beating Will LB (No.42) to the corner on the cutback behind FB's block of DE.

Waldman: The key to this cutback from what I see is that the WILL LB (N0.42) took his initial steps towards the B-gap (right guard), which gave you room to get the corner on your cutback. The MIKE linebacker (No.32) had to free himself from the guard and get through the mesh. By the time he does, you have the corner just past the WILL.

Spann gains six yards after taking the backside corner.

Waldman: You turn the corner and stay inside the numbers to possibly work off the wide receiver’s block. The WILL does manage to run you down with the help of the MIKE and the free safety who delivers a head-on shot that you manage to meet with good pad level to deflect much of the blow.

1st and 10, 5:36 1st QTR

Waldman: This formation is a shotgun set with four receivers and no tight end or fullback. Three receivers are split to the right and a single receiver is wide left.

Zone-read play from shotgun, pre-snap.

Spann: In contrast to the last shotgun play where I was closer to the quarterback’s feet, this one is the zone-read play where I’m going to back up a little more.

Waldman: Why the difference with your pre-snap positioning in the formation?

Spann: It’s because this play doesn’t only to hit front side. It could hit backside. It could hit right up the middle.

So I’ve got be deep enough to read where this hole is going to be because we are doing true double teams unlike the last shotgun play, which was a full zone. I need a little more space to make these reads because my track  is going to be more downhill than it is going to be east and west.

The depth between me and the quarterback and my path is the huge difference between the last play and what I was trying to get across with the last shotgun play.  You’re going to see me come closer and downhill than going straight through the mesh.

Waldman: Before the snap, the outside receiver on the right motions to the hash to create a more conventional bunch look and this brings the strong safety into the box next to the MIKE linebacker. Tell us about the blocking scheme and of course, that A-gap defensive tackle who is almost directly over the center.

Zone-read blocking from shotgun set.

Spann: On this play we have the A-gap player front side, which means once again we’re going to double team him to the play side linebacker (the WILL). The tackle is going to be one-on-one with the defensive end back side because it is a zone read. Because the A-Gap player stays right where he’s at and he doesn’t try to shoot outside the guard, the guard is able to get up to the linebacker instead of the center doing it, which means the hole is going to be where the guard was.

Spann getting the ball and bouncing to left end.

Waldman: This play doesn’t windup going off the guard. You actually bounce this outside. I’ve always been curious what specifically a running back is viewing to determine the direction he takes on a run. Are you looking at the defense, your linemen, open space?

Spann: I’m not looking at the defensive linemen and where they are going. I’m looking at the helmet placements of my offensive linemen. That is what tells you which way to go. If your offensive lineman has his helmet on the right shoulder of the defensive lineman then your cut is going to be inside and to the right of that offensive lineman. Now if it’s to the left then you’re going to go inside because wherever his helmet is the opposite direction he’s trying to push him.

Waldman: To make sure I get it,  you’re following the helmets and wherever the helmet is. If the helmet is inside, you’re going inside. If the helmet is outside then you’re going outside.

Spann: Yep. On this play because of the helmets and the fact the  guard gets off clean to the linebacker, the play is supposed to be inside the guard.

Now that defensive end beats our tackle inside and that isn’t supposed to happen.  But because I have that extra depth in my initial stance I can read that and I see that happen as I try to hit that hole where the defensive end comes out.

I see it, I react to it, and I know I can get outside of it. So that’s my reading and reacting and I get around the corner for a seven-yard gain (see below).

Next week, we’ll discuss the art of the stiff arm, the pain of hip pointers, and the craft of pass protection.

Grinding Tape: NIU RB Chad Spann Part II

In Part I of the Grinding Tape Series, Mid American Conference MVP Chad Spann explained the concepts behind plays that require a running back to understand blocking schemes, defensive tendencies, and reading keys. This week, he reveals how quickly a runner needs to be able to process information to choose a hole, ball security protocol, and the importance of minimizing surface area to become a strong, after-contact runner.

2nd and 7 12:43 1st Quarter

Waldman: Describe the next play for us.

Spann: This is “11” personnel [1 back and 1 tight end]. We’ve got two receivers out to the left, we have a tight end to the left, and we’ve got another receiver on the bottom. We’re in the Pistol.

Basically this is our Power. We generally run Power out of our 21 personnel.

However, our slot receivers have beaten a lot of guys deep and we’ve decided as an adjustment to line up with three receivers, hopefully pulling the linebacker out of the box with that third receiver and still run a power.

Now the guy that is being pulled out of the box is the SAM linebacker and [if we were running the play from 21 personnel rather than 11 personnel] he would be the fullback’s guy.

Since the fullback’s not in we’re hoping that the SAM has the slot receiver in man coverage so we can use our same blocking scheme up front to take on the two linebackers that are still in the box.

Power play from "11 personnel"

Waldman: So what actually happens here?

Spann: On this particular play the safety gets down into the box and we don’t have anyone to block him. Our guy who usually goes to block the safety is that slot receiver, but now he’s man-up on the linebacker (Above).

Post Snap

Blocking Scheme for 11 Personnel Power
Waldman: At the snap, the slot receiver veers to the left as if he’s running a swing screen behind the outside receiver and the linebacker initially follows him. But that leaves the safety…

Spann: …who sets the edge (below) and the linebacker cuts the pulling guard, which jumbles up the whole play.

Safety setting the edge and linebacker cutting pulling guard at line of scrimmage.

Waldman: Otherwise, the tight end and left tackle do a nice job of sealing the defensive end inside and you were decisive. You didn’t try to bounce the play outside; you lowered your pads into the crease and drove forward for a yard rather than risk a loss.

How tempting is it for a running back to want to bounce a run outside? You have to have a good feeling here that you’re not going to get much taking it through a small crease that’s well defended. But if you just could beat that one guy to the edge it’s a big gain. I see college runners try to do this all the time and when they get to the pros they struggle.

Finishing downhill.

Spann: One thing we’re always taught as runners is that the easiest way to be brought down is by running sideways (east west). That’s the easiest tackle for a defender. You won’t see me, or any running back on this team, running east west a lot and making cutbacks that way because we know we would be making things a lot easier for a defender to tackle us. And there’s always a chance somebody misses a tackle when you’re heading north south and because you’re heading downhill you’re in good shape to make a positive play.

3rd and 6, 12:06 1st Quarter

Waldman: You gain 12 yards on this play on a very decisive run, bouncing it to left end from a three-receiver set.

Spann: This is our zone read play. I essentially have the same rules on this play as I would for our inside zone play. I’m going to take my steps while looking at the A-gap player who is going to be double-teamed back to the MIKE linebacker [by the right guard and right tackle]. As I’m getting the handoff and running through the play I’m watching where the A-gap player goes. That player is going to set the hole for me.

What kills zone plays is penetration and that’s what they get on this play. I have a hole when the A-gap player goes to the right; it is between the center and the tackle blocking down.

Intended hole with double team of A-gap defender on front side.

Spann: We’re going to work a lot of double teams on this. We’re running to the left and [as I mentioned above ] the center and guard on the front side are going to double team the A-gap player – the one-technique player –to the linebacker (No. 45).

Now the backside guard and tackle are going to double team that three-technique up to the other linebacker (No.32) who is in the box (below).

Both double teams of one-technique (left side) and three-technique (right side).

Spann: So the play side tackle (the left tackle) is going to block the defensive end. The tight end on the backside is going to go to the next linebacker (who is outside the box and listed as “OLB” to the right of the TE). The tight end is going to seal the linebacker off.

The holes that I usually see are off of that center-guard double team (above). If the one-technique tries to go outside the guard then the center is going to come off the block and get to the linebacker. If the one-technique goes the other way or stays where he is then usually the guard will come off the block and get to the linebacker.

Waldman: In essence, you’re explaining the blocks that should open lanes for you to get to the second level if they are successful. With the zone-read play, there is a key player, correct?

Spann: We’re reading the backside tackle on this play. The quarterback is reading to see if the backside tackle comes straight up the field. If so, he’s giving me the ball. If the backside tackle is keying me then the quarterback is going to keep it.

Waldman: Let’s now see how the play actually develops after the snap and not just in theory.

Zone-read post-snap movement.

Waldman: There are a lot of  things happening here on the line. Let’s start with the one-technique/A-gap player you’re watching.

Spann: In this case the one-technique tries to go across the guard’s face because the line is executing a stunt [the left defensive end is looping inside of the one-technique/A-gap defensive tackle].

It wasn’t that [well executed because] where they stunted with the defensive end, it opened up the left side of the line.

When the defensive end came around the offensive line stayed on the same course. The stunt caused the left tackle to pick up the linebacker (No.45). And where the play was designed for the center to take No.45, now he’s picking up the defensive end.

Waldman: When I first watched the play it appeared as if it was originally designed for you to run off left tackle. So its pretty eye-opening to see that the play design was an inside run. When did you know you were taking this play outside?

Spann: When I see our left tackle take the linebacker (N0.45) and our backside (right) tackle getting pushed back into the hole due to penetration, which kills all zone plays.

The LDE stunts inside the one-technique and the LT takes LB (No.45).

Waldman: So you take the run further outside…

Spann: I take it a little bit further to one more hole. When I do,  the tackle knows where I’m at and I cut inside of him as he pushes the linebacker outside.

Waldman: And this is where you press the hole. Can you explain that concept?

Spann:  I set the block up by sticking my foot into the ground outside of the tackle to make that linebacker come up and put the tackle in a better position to make this block as I cut inside of him. As I do that it makes the hole bigger.

Pressing the hole created by the left tackle.

Waldman: When you spot your left tackle coming outside to seal the edge you take it to that one hole over and  make a decisive cut inside the tackle.  That press and cut also ruins the corner’s angle on you. You then  burst through the hole and up the line of scrimmage for a 12-yard gain.

End of run.

Waldman: Let’s talk a little bit about ball security. I always hear that the basic rule is to carry the ball under the outside arm. On this play you run the ball up the left hash and have the ball under your right arm for most of the play.  Can you clarify the protocol for ball security on a play like this one?

Spann: You always want the ball in your outside hand but as you look at this play, you’re going to naturally have the ball in your inside hand because you are coming across the quarterback during the exchange. If you want to have a proper hand off on this play, it’s going to end up in your right arm.

Now if I hit this play normally where I would have hit it, I would hit right inside the backside (right) tackle. This would have kept me on the right side of the play and I would have the ball in my right hand.

But because the defender got penetration and I had to bounce the play out to the next hole.  I had already made the decision to keep it in my right hand and I hadn’t changed hands yet because I don’t know exactly where I’m going and I’m still in a crowd of people.

You’ll never want to change hands in a crowd of people, but if you watch at the very last second before I get tackled, I’m switching hands and trying to use my inside hand to stiff arm this guy but I couldn’t get it off in time. My first available time to switch the ball was when I cleared that tackle’s block and that’s when the defender came up.

3rd and 1 10:24 1st Quarter

Waldman: This formation looks a lot like the zone-read we just watched.

Spann:It looks a lot like the play we looked at a second ago – a zone-read – but it’s a completely different play. This play is 11 personnel with two receivers to the right side and another receiver to the left and I’m in the shotgun to the right.

The subtle difference is that if you look at my stance in this play (below) and you look at it on the other play, I’m a lot tighter to the quarterback on this play. I was a yard deeper than the quarterback who was five yards deep on the last play. On this play, I’m right on his toes. I also lined up in the B-gap on the previous play, but now I’m over the tackle.

Pre-snap of what appears to be a zone-read, but is a full zone with line slanting left.

Spann: The reason why we do this is because the last play was like an inside zone play where we use double teams to get up to the linebackers. This play is a full zone and while I’m going to read it the exact same way as the other play, the blocking up front is going to be different. Everyone is going to be moving on their path to the left and get up to the second level.

Line slants zone left, LDE stunts inside and one-technique (RDT) loops behind RDE outside.

Waldman: Once again, we see the defensive end on the play side (left) stunt to the inside. You head to the left, dip outside of No.32 in the hole and pick up the first down. After what you explained to me with the last play, I’m left wondering if this was the intended direction of the play or another read and react situation.

Spann: There really is no place where this is supposed to hit. It hits outside a lot if that three-technique  to the play side (the LDT) comes downhill. If everyone on the defensive line is fanning to the left it’s going to cut back and be more of a downhill play. So there’s many places where this play can hit unlike the last one and I’m just supposed to find a hole and get into it.

Waldman: So what do you remember thinking or reacting to on this play?

Hole opening as Spann enters the mesh.

Spann: So you see me coming through the mesh. It’s not a read any more; the quarterback is going to give it me and I’m looking the whole time where I’m going, which was actually the same for the last zone read play.

But as soon as that hole presents itself I have to get through it as fast as I can. It’s third and one and we have to get the first down so I’m not trying to pick up a whole lot of yards. I see this hole where I can get one yard and I’m going to get it right now – that’s my mindset on this play.

That’s how we approach this play. We started running this play against Western Michigan this year and we actually ran it a lot my sophomore year, but we got away from it. It hits well. It hits play side a lot more than the [zone-read] play might. The zone read play might hit backside more where the quarterback keeps it.

Waldman: It’s interesting to see that when you get close to the first down marker on this play you make a move away from No.32 who jumps into your path. One thing I often see good short yardage runners do is when they are about to face contact head-on they are able to turn away or get sideways and pull that player down hill – almost backing their way down field. Is that more of an instinctive move or is it something you’ve watched other backs do?

Spann in the hole and dipping away from two linebackers for extra yardage.
Spann dips away from LB No.32 and gets skinny to turn away from OLB to get extra yardage.

Spann: It is kind of instinctive, but it is also something that can be worked on as well. We’ll go through bag drills before practice starts and we’ll run over the bags forward with our coach standing at the goal line and he’ll be a yard between the goal line and the boundary and we have to duck our shoulder to get into the end zone.

One thing that they stress is to take your numbers away from the defender so they can’t hit me square. So being able to keep them from hitting me square gives me an advantage.

Think about when a linebacker blitzes and a running back has to pick him up. A linebacker is going to lower his shoulder where the running back has to stay square to take it on. It’s exactly like that.

But this time the linebacker is going to try to tackle me square and I’m going to lower my shoulder so I have the advantage because he has less [surface] area to hit so I can run through it or I can deflect it or drag him forward because my momentum is going one direction at a sharper angle than his.

Waldman: When I watch runners who are good “after-contact” ball carriers, it seems like they are trying to give a defender as little surface area as possible to tackle.

And when they attack a defender, they do so with the idea of forcing the defender to grab one point with a lot of force behind it. When a back is moving like this,  it must be like trying to tackle the front of a spear or a club for the defender. It’s harder to tackle one point than several points of contact.

Spann: Exactly. When I can lower my shoulder and put it into your chest, I’m going to hit you first. As I mentioned in the Q&A we did, you either hit or be hit.

So when I turn my shoulders and dip my shoulder into somebody, I plan on hitting him first. He’s not going to be able to react fast enough because he’s thinking he’s about to lay out and hit me.

But while he’s laying out, I’ve already decided that I’m going to hit him while he’s suspended in the air. It becomes hard from them to react after that and still remember to wrap up because I made contact with them before they were ready.

Waldman: In addition to the pad level,  it’s also the hips that factor into getting your pads under a defender’s pads. A player I saw do this for years and years and loved watching was Edgerrin James. It seemed he always got lower than the guy he was taking on. You thought he was going to get taken down or stopped at the point of a collision, but he’d always find a way to get another yard, two, or three yards on the play.

Spann: Absolutely. I’m from Indianapolis, and I grew up watching Edgerrin James. I love Edgerrin James. He’s one of the backs that I grew to admire. I even wore No.32 for a year during my career.

He’s one of the guys that I emulated as well as Emmitt Smith. I watched a lot of Emmitt Smith and he used his off-arm very well. It’s weird because he carried the ball religiously in his left hand, but he was still able to use that right hand so well. It was those little things that I picked up on.

In the third part of this Grinding Tape Series with Chad Spann, we’ll learn what a runner is watching to determine his path between the tackles and the differences with a runners pre snap location in zone and zone-read shotgun plays.

Losing Your Football Innocence

Photo by Jill Greenspeth.

Readers often ask me for advice on how to watch football with a more critical eye. My answers are below, but if you take my advice you’ll lose your football innocence.

Let’s dispense with the obvious:

You love football.

I love football.

We wouldn’t be interacting on this blog if we didn’t.

I’m stating these facts because, in lieu of what I’m about to share, you may forget that I love football. And that’s a shame.

You’ll probably never know how much I love football. It was as regular a part of my day as brushing my teeth during my youth in Cleveland, Ohio and Atlanta, Georgia. Backyards. Playgrounds. Practice fields.  Summer camps. Streets. Even hallways of apartment complexes.

As a latch-key kid, I loved football so much that I used to prepare for my truancy from elementary school with “pre-skip” visits to the library. There I would check out books featuring the likes of Red Grange, George Halas, the T-formation, Gale Sayers, Deacon Jones,  Sam Huff, Jim Brown, and Bronko Nagurski.  I’d then spend my “day off” reading out loud to the bewildered family parakeet.

Yes, I had my own special bus…

I think you need to know this about me in light of the fact that for the person interested in film study my advice seems dour. The first thought that comes to mind: Say goodbye to a normal life.

There is a reason football people call film study grinding tape. When done well, it’s a methodical, unrelenting process that ultimately turns into a job. Granted, it’s often a fun job, but it’s still work.

I have frequently spent as many as eight hours studying a single player in one game – and that includes fast forwarding through plays where he’s not on the field. I realize most of you aren’t that serious about studying film and you don’t need to make that kind of commitment to developing a more critical eye. However, you do have to be willing to give up some of your football innocence.

At first, you might not enjoy taking a sober look at the game. However, the deeper appreciation gained is worth the effort. I make my share of mistakes and I’m sure there are experienced scouts or draft analysts who would disagree with some of the points I’m about to share. But I’m sharing part of my path and what has been valuable to me.

10 things you can do to become a more critical viewer:

1. Watch football alone: Football is a great outlet to let off some steam and bond with friends and family. However, what you’ll be doing requires more focus than what the average fan is going to enjoy. Trust me.

If you want to develop a more critical eye you need to be willing to set aside a game to watch by yourself on a regular basis. While watching games with an experienced tape grinder can be helpful, there is no substitute for logging those hours on your own road to self-discovery.

2. Become a student, not a fan: You have to temporarily put aside your game day habits as a fan. I’m not telling you to abandon watching football for the sheer enjoyment of it. However, you have to have the mindset that this is homework.

Set aside time where you’ll have minimal interruptions. Although most don’t have  an eight-hour block to watch an entire game in one sitting, making the commitment to take as much time as needed to break down and understand what you’re seeing is vital.  If it takes you two weeks to finish studying a facet of a game (be it a player or a unit of a team) that’s okay. It’s the journey that’s important.

3. Pick a player, any player: In the beginning, focus your attention on one player. Pick a position that you really enjoy watching. I suggest the first group of players you study are NFL veterans renown for their technique because they are the standard setters for developing a more critical eye (see point No. 8).

Since the “tape” you’ll be using is a televised game and not coaches tape, it will be more difficult to examine certain aspects of wide receiver, safety, and quarterback play on a consistent basis. Although I believe there are times where the televised games actually offer better details of specific techniques that you need to see from these positions, the coaches tape’s end zone view provides a better macro view of the X’s and O’s.

That said, nearly all of my evaluations are based on recordings of televised games and me and many of my peers have delivered solid analysis.  What you’re going to discover is that although your primary focus is on one player you’re going to develop a greater awareness of what several other players on the field are doing. Over time you’re going to develop an enhanced understanding of the game.

4. Wear out these three remote buttons:  l l,  <<, & >> : Pause, rewind, and better yet, the combo of pausing and using frame-by-frame fast forward in slow motion will be your best friends.  These symbols on my six-year-old remote are worn off the buttons.

I suggest you begin studying by watching every play at least three times:

  • In real time.
  • In slow motion. Use frame-by-frame rewind and fast forward as often as needed to see everything that the player you’re studying is doing, what his teammates are doing in support, and how his opponents are acting or reacting to the player you’re studying.
  • Watch the play again in real time.

Take your time with the slow-motion viewing. Don’t regard it as some form of training wheels to help you eventually notice more in real time. It might be an indirect benefit, but it isn’t the goal.

The slow-motion viewing helps you see keys to a player’s motivation: where is he looking, what are his teammates doing to set him up for success or failure, and how that player and his opponents act or react to each others’ decisions.

5. Sometimes you’re going to discover more questions than answers: It’s okay if you finish watching a series of plays or a performance of a player and you feel like you have more questions than when you began. That’s a good sign.  It means you’re figuring out what you specifically need to learn.

NFL Films Producer and avid film watcher, Greg Cosell has the luxury of calling NFL coaches to ask questions about plays, and he does so regularly. If a guy who has watched the film for 30-plus years, 5 days a week has moments with more questions than answers after watching the film, then you’re in good company.

6. Take notes: Whether it’s a laptop,  an iPad, a spiral bound notebook, or to-go napkins from the barbeque joint down the street, take notes. Organize those notes into sections for questions, a place to diagram plays, and an area to describe examples of good technique. You can always use the glossary from the Rookie Scouting Portfolios.  I break down in detail what I’m using to evaluate skill position prospects.

In lieu of the RSP, here are some very basic, common sense things that you should be watching to learn more about technique:

  • How a player uses his hands.
  • How a player uses his feet.
  • How a player uses his shoulders and upper body.
  • How a player uses his knees.
  • The angle a player bends when engaging an opponent.

As for getting your questions answered, additional film study, reading, and listening to experienced NFL players (see below) talk about technique or strategy are good options.

7. Listen to ex-players: There is a great deal you can learn about the game from ex-players analyzing tape or discussing techniques and concepts of their position. I have learned a ton just from watching pregame shows. Who better to learn from than former NFL starters – many with Pro Bowls on their resume?

The way Steve Young once described how footwork bridges the mental and physical sides of football was one of the more insightful pointers I’ve seen. Cris Carter made a great presentation on the way receivers should use their hands. Merrill Hoge’s film break downs of blocking schemes on running plays are frequently excellent.

If you’re here I probably don’t have to mention this, but I will just in case someone referred you here: Don’t fall into the trap of letting an ex-player’s personality, speech, or other on-air tendencies annoy you. There are definitely personalities I enjoy watching more than others, but what I’m seeking is information. Why should I discard gems from knowledgeable players because they have difficulty enunciating a word correctly or they have incorrect grammar?

Remember, most politicians have great enunciation and grammar and we’re still buying what they’re selling even when we know we shouldn’t.

8. The NFL is the standard you use to study college players: This is perhaps the most important of concepts you need to remember. If you want to really become more observant of what separates a good college player from a good NFL prospect, you need to study NFL players and use their techniques as the standard to evaluate college players. You’re going to discover that the better NFL veterans are far more consistent executing techniques on plays with smaller margins for error than their college counterparts.

Top NFL quarterbacks operate more consistently and productively from a tighter pocket. Top NFL running backs display better judgment with when to bounce a play outside and when to get the pads down and grind out the play inside as designed. And top NFL receivers are far more precise with their footwork and more skilled at turning and cutting at top speed without tipping off a change of direction.

Listen to who the ex-players-turned-analysts say are the best NFL players in the game and why. Then take those reasons and study those players until you can apply that standard to another player. Tom Brady and Peyton Manning have great footwork and presence in the pocket. That’s the standard you should be using to judge the development of other college quarterbacks.

I have had the pleasure to speak with Greg Cosell a couple of times at length and each time we’ve talked (with years going by in between), he remains astonished that evaluators of college players aren’t required to study NFL players. One would think this is how scouts should calibrate their observation techniques. If I ran a scouting department, I would require each scout to have a laptop or iPad with film highlights of specific players who our organization believes set the standard at every position when it comes to proper technique.

9. Ignore most statistics:  If you’re studying a player’s technique, execution of the game plan, decision-making, and athleticism, most stats are not only useless but misleading—at least until you’ve taken the time to study the player’s film. Once you have, data can help clarify what you’ve seen—especially a player speed, acceleration, quickness, and strength.

The only stats I seek from a box score before I sit down to study a player’s performance are those that show enough opportunities to get a strong sample size (attempts and targets/catches).  There are many stats linked to players that are more indicative of how well the team executed, rather than the player.

A perfect example is a running back I once saw who averaged less than two yards per carry. If gave any real weight to his stats, this player sucked. However,  I looked solely at technique and because I did,  I graded him as a future NFL starter.

One of his games that I studied was against a national championship-caliber defense.  His opponents were far more athletic than his offensive line. In fact, all but seven players on the entire roster of the opposition could bench press as much,  if not more,  than all but the strongest offensive lineman on this runner’s team.

Although this runner had as poor of a statistical game as one can imagine, his technique attempts to execute the game plan, decision-making, and athleticism was strong. In three NFL seasons, that player has started all 48 regular season games; averaged four yards per carry behind a mediocre offensive line; and has at least 50 catches and 1400 yards from scrimmage each year. That player is Matt Forte.

In contrast, I’ve seen players compile great stats, yet lack the skills to even come close to approaching the standards we see in the pros. While I will display game stats for each player’s game that I study, it’s just to provide the reader with another layer of context. A player with great stats but sub-par skills could indicate he’s a great fit for his college team due to the system or his athleticism. A player with sub-par stats but great skills could be a fine performer surrounded by lesser talent.

10. Have a slice of humble pie: It’s easy to tell the difference between the average football fan and the guy who grinds tape. The average fan behaves as if he’s a football genius. The average tape grinder knows he’s a football idiot. He also can explain why in great detail.

Part of adopting a student mindset is having the willingness to accept that you’ll be wrong a lot. Learning requires the ability to accept your errors.

I recently wrote an article about this topic. The subject was an accounting professor whose award-winning research was recently cited in Forbes. Her study dealt with the concept of cognitive dissonance in investing.

What she discovered is that people tend to make emotional choices once they commit to a decision. Moreover, it doesn’t matter if they are an expert in their field. If they’ve taken a stance, they defend that stance even if presented with evidence to the contrary.

In fact, they will seek analysis from sources that aren’t even as credible as the information presented to them in order to get validation that they made a good choice,  even if the result eventually says otherwise.

In essence, we stand by our decisions to placate our egos because it’s often more important for us to be perceived as experts than behave like them. The sad, but comical thing about this is that we all do it if we make a decision before we fully weigh the evidence. I have no problem admitting I do it. The only real cure for this problem is having insight – and that’s a topic for another time…

Hopefully, this will help you shed your football-genius innocence and become a student of the game.